Some of the best "character bits" in fiction are inspired by observing real-life exchanges. Sitting in a local restuarant with my family over the weekend, I overheard a conversation--or rather, a monolog--which I would love to draw on if I were writing a play about sibling rivalry or family estrangement. Behind me was a young father with his two children, a 2-year-old girl with light curls in a high chair at the end of the table, and a dark haired boy of about 8 (wearing a dark expression) in the opposite booth.
They caught my attention when I overheard the father suddenly gush, "Did you say 'BROCCOLI'? Did you HEAR that, Bradley? She said 'BROCCOLI'! Wasn't that PRECIOUS? Say it again, dear! ...YES! That is BROCC-O-LI! ...Do you LIKE that BROCCOLI? ...Does it taste GOOD! ...No? Do you want to put that BROCCOLI in Bradley's HAIR? Isn't that CUTE?! Oh, DON'T make a face like that, Bradley--she isn't HURTING you! What am I DOING? I'm calling GRANDMA on my CELL PHONE! Yes I AM! And then you can say 'BROCCOLI' for GRANDMA! Mom! Hi! Guess what your granddaughter just did? ...No, she just said, 'broccoli'! ...No, 'BROCCOLI'. REALLY! Listen! Go ahead, dear! Say it! Say, 'BROCCOLI'! Say it! 'BROCC-O-LI'! Go ahead! You can do it! ..."
[I'm tempted here to lapse into a Bill Cosby routine: "Eight hours later: 'Hang in there, Mom! Drink some coffee, walk around! Come on, Erica, say "Hello"!' Wouldn't do it! Finally hung up the phone, and as soon as I did, she started, 'HELLO! HELLO! HELLO!' THAT'S my girl..."]
In the restaurant, though, all I could think about was Bradley five or ten years from now in therapy discussing why he never felt loved or accepted by his father, and why he has troubles in his relationships with women, his sister in particular.
So much of family strife and an individual's struggle with identity begins early in life with parents who just aren't aware of the messages they are communicating. While on the one level I found this Dad's enthusiasm with his daughter's expanding vocabulary goofy and endearing, I think there was definitely some potential damage being done in the relationship between father and son. And as a parent I need to heed the lesson of keeping my enthusiasm and obsessions in check where they might unwittingly harm my relationship with my child.
If I were to draw on this experience creatively, I might use it in the opening scene to a play dealing with adult siblings trying to wrestle with the brokenness in their relationships with each other and with their parents. They could meet in a restaurant, where this scene was taking place in the background, offering comic relief but also reinforcing and maybe shedding some light on how family relationships break down in the first place. [Shades of the Logician in Eugene Ionesco's Rhinoceros...]
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