In addition to the Pirate storyline in VBS, we had a "Story time" built into the curriculum. When we did it in 2007, this was one of several stations that the children would rotate through, and I designed it as more of an interactive teaching station. This year, because of space constrictions, we were not able to break into groups and had to do everything as a big group in the same space, which inhibited the "interactive" piece of it. We decided to use a version of "Godly Play" to tell the story three of the nights, and do puppet shows the other two.
The two stories we decided should be done with puppets were The Rich Young Ruler and The Prodigal Son. Trying to think in terms of how best to tell these stories using puppets, I keyed in on the animals in the stories; in the case of the Rich Young Ruler, I decided to tell the story from the perspective of a camel, as if ANYONE knows how impossible it is to get a camel through the eye of the needle, it would be a CAMEL. With the Prodigal, the obvious animal choice was to tell the story from the point of view of the pigs that the Prodigal was hired to feed at his lowest point.
Having neither a camel nor pig puppet, having no budget, and running out of time to make anything from scratch, I ran down to my favorite thrift store (Red White and Blue) in hopes of finding some second-hand stuffed animals I could use. The pigs were easy to find, but, as you might guess, there were no camels to be seen. I ended up piecing together the head and neck of a snake, the mouth of a donkey, and the body of a leopard (all pinned together and covered with a tan cloth) to create the camel.
Driving home from the thrift store, I was given the voice and character of the camel, as well as the name, "Canticle, the Cantankerous Camel." It was a low voice with a southern twang (something in the neighborhood of Foghorn Leghorn, without the constant repetition), and as a beast of burden, he had a lot of complaints about people with "lots of STUFF!" The voice and character came so strong, I ended up writing the piece as a monologue, with Canticle talking about Camels' place in New Testament society and in Jesus' teaching, and then recounting the story of the "this Rich Kid with all this STUFF which BLINDED him to th' fact that he GOD ALMIGHTY was standin' there RIGHT in FRONT'v'HIM! WHADDIDHE DO? He TURNED AROUND and walked AWAY! 'TseNUFF to makye wanna SPIT!!"
I couldn't tell how well the story went over on the other side of the puppet booth--there was a lot of chatter in the room at the time--but individual kids who saw the puppet before and after the performance really seemed to respond well to him.
The pigs' story failed to materialize, but I think that was just as well. I decided that needed to be more interactive, so I used a version of the Prodigal by Bob Hartman, which involved the audience in saying certain rhyming words and making certain gestures throughout the story. We did use puppets to act out the story, but that was more of a backdrop to the Hartman interactive storytelling piece.
Wednesday, August 18, 2010
Sunday, August 15, 2010
The Heavenly Pearl Sails Off Again!
We just concluded the 2010 version of "Pirates in Paradise" VBS. The curriculum and original skits were written and first staged here at COTS in 2007, followed by "The Good Shepherd of the Outback" in 2008. Last year, we had planned to create a sequel to the "Pirates," but that didn't come off due to a shortage of volunteers in the morning. This year we made two strategic decisions; the first was to offer VBS in the evening (so as to get more volunteers), and the second was to stage the VBS in the Recreation Center of a couple housing projects on the north end of town. Although my personal preference continues to be for a morning VBS in our church building, it is hard to argue with the results--we had 20+ volunteers each night and a total of 60 kids who participated in the VBS this summer. What exactly this leads to remains to be seen, but I am hoping to see our church commit to some sort of follow-up, with the possibility of eventually planting a church in that neighborhood.
The biggest creative challenge in revising the script this year was in shortening the storyline from five to four days. Previously, in doing a morning VBS, we had the closing program for the parents the evening of the final day, and it was felt by the team that we needed to the keep the final evening as a summary of the story for the parents' sake, wrapping up the actual storyline on Thursday night. In retrospect, I think I would argue for returning to the five-day format, as there were very few parents who actually attended, and I think it best to send the kids off with an exciting conclusion to the story, rather than a recap in which nothing dramatic happens.
I also added two more pirates, because we had two individuals who were inexperienced actors but well-know to the kids in the village (or at least, better known than the rest of our team). It seemed worthwhile to get them up front for the dramas, but I will be dropping back to my original three pirates in the future (the Captain and two crew members. Amongst other things, the stage got very crowded with five pirates (ESPECIALLY in the cramped space of the Rec. Center), and there was no good way to work the additional characters into the climax of the show.
Personally, the biggest challenge was for me to assume the role of Milligan, the island host to the visiting children and Pirates. This character was originally written for a friend named Travis, who is extremely gifted as an actor, a teacher, and someone who has a natural gift of rapport with children. Travis also has a wonderfully peaceful demeanor, which is required for this character--he does not allow the pirates to ruffle or rile him up in any way. My own approach to acting is generally to throw myself into a character, generally very different from myself, and it helps if I can channel my own nervousness about being onstage into a nervous or angry character (which is why I originally cast myself as the Pirate Captain, Harry DuPillage). Breaking down the "fourth wall" to relate to the audience, remaining relaxed and trying to calm others, all while wearing shorts and beach shoes (which I would NEVER do offstage, except on the beach!) was QUITE a challenge to me as an actor. I think I succeeded, overall...
If nothing else, we certainly hammered the memory verses into the kids. A portion of each skit involves Milligan teaching the verse of the day to the the children and his pet parrot, Paolo. But Allie, who acted as M.C., would review the verse before the skit, and Pam, who led the music, would have the kids all SING the verses after the skit. Not that any of that was a bad idea (I was especially appreciative of the fact that Pam WROTE some original music to put to some of the verses), but these kids should CERTAINLY know by now that they should store up "treasure in heaven" rather than "treasure on earth, where moth and rust destroy and where thieves"--or Pirates!--"can break in and steal."
The story ends with the majority of the pirates abandoning piracy, claiming the King's Royal Pardon, and voting off the Captain and any others who want to remain pirates, rechristening their ship from "The Bloody Gem" to "The Heavenly Pearl" and sailing off as missionaries to spread the news of the Royal Pardon to pirates and other sinners they may encounter. Which prepares us for "The Continuing Adventures of the Heavenly Pearl" and a missions-themed VBS I have yet to write!
The biggest creative challenge in revising the script this year was in shortening the storyline from five to four days. Previously, in doing a morning VBS, we had the closing program for the parents the evening of the final day, and it was felt by the team that we needed to the keep the final evening as a summary of the story for the parents' sake, wrapping up the actual storyline on Thursday night. In retrospect, I think I would argue for returning to the five-day format, as there were very few parents who actually attended, and I think it best to send the kids off with an exciting conclusion to the story, rather than a recap in which nothing dramatic happens.
I also added two more pirates, because we had two individuals who were inexperienced actors but well-know to the kids in the village (or at least, better known than the rest of our team). It seemed worthwhile to get them up front for the dramas, but I will be dropping back to my original three pirates in the future (the Captain and two crew members. Amongst other things, the stage got very crowded with five pirates (ESPECIALLY in the cramped space of the Rec. Center), and there was no good way to work the additional characters into the climax of the show.
Personally, the biggest challenge was for me to assume the role of Milligan, the island host to the visiting children and Pirates. This character was originally written for a friend named Travis, who is extremely gifted as an actor, a teacher, and someone who has a natural gift of rapport with children. Travis also has a wonderfully peaceful demeanor, which is required for this character--he does not allow the pirates to ruffle or rile him up in any way. My own approach to acting is generally to throw myself into a character, generally very different from myself, and it helps if I can channel my own nervousness about being onstage into a nervous or angry character (which is why I originally cast myself as the Pirate Captain, Harry DuPillage). Breaking down the "fourth wall" to relate to the audience, remaining relaxed and trying to calm others, all while wearing shorts and beach shoes (which I would NEVER do offstage, except on the beach!) was QUITE a challenge to me as an actor. I think I succeeded, overall...
If nothing else, we certainly hammered the memory verses into the kids. A portion of each skit involves Milligan teaching the verse of the day to the the children and his pet parrot, Paolo. But Allie, who acted as M.C., would review the verse before the skit, and Pam, who led the music, would have the kids all SING the verses after the skit. Not that any of that was a bad idea (I was especially appreciative of the fact that Pam WROTE some original music to put to some of the verses), but these kids should CERTAINLY know by now that they should store up "treasure in heaven" rather than "treasure on earth, where moth and rust destroy and where thieves"--or Pirates!--"can break in and steal."
The story ends with the majority of the pirates abandoning piracy, claiming the King's Royal Pardon, and voting off the Captain and any others who want to remain pirates, rechristening their ship from "The Bloody Gem" to "The Heavenly Pearl" and sailing off as missionaries to spread the news of the Royal Pardon to pirates and other sinners they may encounter. Which prepares us for "The Continuing Adventures of the Heavenly Pearl" and a missions-themed VBS I have yet to write!
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