I was hoping for a larger dragon, but I had to "scale back"...

I designed a pretty cool-looking 40' Smaug for our production of "The Hobbit," but then realized there was not enough room on stage for him to curl up. So we're down to 30'.

And at rehearsal today, I found out that two of our actors have backed out of the production. One came to me to break the news that he has family commitments out of town the weekend of the show. The other didn't show up and hasn't said anything to me or the producer, but he apparently told all of his cast-mates he couldn't do it.

So, back to the drawing board for THAT as well...

The Hobbit is Cast!

Well, it took a good chunk of last night, and makes quite a intricate web of people and parts, but I got the play cast and was able to announce parts at rehearsal today. If anyone is dissatisfied, I haven't heard yet, so I take that as a good sign. Four of the actors have one part each, while the majority have a number of parts to play (with one person with as many as five!). Costume changes will be interesting!

I was glad to be able to add in several non-speaking roles which were not in the script. Though I certainly appreciate Edward Mast's job of shortening the novel to a tolerable length for the stage, he dropped a lot of characters (and races of creatures) that are important to Tolkien's world, and though they won't have much to do, I am glad we will be able to at least visually allude to them in our production. So, though there are no spiders, wolves, eagles or elves (!) mentioned in the script, I had a enough spare actors to work in walk-on roles for each to be represented in our production.

I've been soliciting ideas from a number of friends for the biggest technical challenge of the play--how to portray Smaug the dragon on stage (with little space and budget). This will put my puppet-making skills to the ultimate test!