Tomorrow is try-outs for the Rhema Christian School Spring Play, which I will be directing. I oringinally signed on thinking we were doing The Hobbit, but it turned out that the bulk of the actors, who would be 5th to 8th grade girls, were less than enthusiastic about the idea of putting on beards and acting like dwarves. Next we settled on an adaptation of Rumpelstiltskin, which turned out to have little to do with the title character and mostly be a fantasy in the tradition of Shakespeare's comedies, with no less than EIGHT couples ready to wed at the end. Showing the couples to be in love would have involved some hand-holding or walking arm-in-arm, and that ran afoul of the schools policy on PDA. SO, after much thinking, reading, and negotiating (all while the clock was ticking towards performance dates of April 27 and 28), we finally settled on something we had in hand, that could be adapted easily without violating copyright laws... and we will be doing a full-scale production of The Good Shepherd of the Outback.
I see no real problem telling the story in one night, as opposed to stringing it over five days in serial fashion, and it will be good to give the story a fuller treatment production values that eight weeks of rehearsal and technical development will afford. If the message has come across as well as it has lacking that time and care, I can only imagine it will have more impact if it is presented more professionally.
My only concern is with the fact that every student who tries out is guaranteed a part. And I'm not concerned there in having to work with young actors lacking in talent; my teen drama groups often included actors of limited talent and range, and I've managed to cast them and work with them well. What concerns me is the sheer number of parts that may need to be created to accommodate this. We can double the number of sheep, certainly (we've always alluded to a larger flock than was represented onstage), and there are a few other parts that can be added with no problem. But if we get 30 kids or so showing up tomorrow, it's going to necessitate a major rewrite and create a lot of headaches for blocking!
Showing posts with label Good Shepherd of the Outback. Show all posts
Showing posts with label Good Shepherd of the Outback. Show all posts
Sunday, February 26, 2012
Saturday, August 27, 2011
Good Shepherd Triumphs Again!
Well, Raven S. Wolf's Lamburger machine has once again been destroyed, thanks to "The Good Shepherd of the Outback." The original VBS curriculum and drama was written for COTS in 2008, but we resurrected it this year for our second "VBS in the Village," held at the Rec. Center at Economy/Crestview Village housing projects on the northeast end of Ambridge. Somehow, it seems, no one managed to take photos this year (the one here is me in my wolf costume from 2008), but Barbi Davis managed to capture the climax with her Android and post it to YouTube here: http://www.youtube.com/watch?v=jBUpM59cXqI&feature=share
Although the actors were not as prepared as I would have liked (and due to illness and work schedules we actually had to switch some of the roles from night to night), I think the dramas went well, and the kids were very engaged in the story of the Shepherd, the Hireling, the Lamb who went astray, the Sheepdog, the Predators, the Wooly Bullies and the rest of the flock. I dare say it's one of the best pieces I've written, and once I've had an actual Australian review the dialect and slang, I'm hoping to make it widely available in some fashion. Let me know if any of you are interested!
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